On to the showcase of this episode, since the challenge was just so dang weird, the clothes!
On the dress form and in the sketch this dress was amazing. It was so pretty looking, and I thought "Hey, Blayne is going to pull it out once again! When is he going to stop doing this to me?" But no, instead when the garment actually came out onto the runway it just...was fitted so wrong it was depressing. What in the world did he do to make the top fit that poorly and couldn't he have stuffed her bra or something to make it a little better? Heck, Leanne stuffed our model's hips!
The concept was great, the fit was terrible. And that seemed to be universal in the lower levels of this episodes.
I hate the styling of this outfit but I can see how it's "runway styling" and not "everyday styling." But the garment itself is really great. It had some problems with bunching, but I've started paying attention to other people's clothes lately and realized that fitted clothing just bunches strangely all the time, it's only flat when you just put it on or something.
But the ideas here are sound, the colors are great. It's a little on the micro side but I love it still.
This is a little too similar to his work in the Olympic challenge, IMHO, but I like that he incorporated the logo for the car. It's a really cute outfit that I could see on the girls that walk around race tracks for some reason (do they hold the flags? I'm not sure, I'm not that into racing). But it really looks like something you'd see around a track. Only, the cars were Saturn's and I'm sorry but race cars they are not.
I love the colors though, I'll say that. I'm a huge fan of that color palette.
This is the thing about Keith's downfall: he forgot what the judges are there for. It's kind of easy to do. See, I'm in film school right now and I know how it is to be in classes or be judged by people constantly who are critiquing your work and going on about what you're doing wrong. I know how easy it is to get down on yourself and assume they hate you.
But the other thing I know, and the thing that Keith lost sight of is that the judges aren't there to make you into somebody else, just like professors aren't (if they're good professors, I've had some that did seem to want to make me in their image). What they're trying to do is help you be a better you. Help you find your voice and use it to the best of your ability, to be the most effective.
Keith couldn't figure that out, and that's part of why he's gone. If he hadn't made those comments on the runway, I'm convinced Stella would have been eliminated instead. But he decided he was a victim, and I've been there so I can't make fun of him too much for it.
The dress itself was a pretty big failure, to be honest. Seatbelts are kind of horrible for stuff like this, I've seen them made into bags a lot and they're stiff and have very little give, and they very easily pucker and twist. Though I do think that them making his model sit down in hair and makeup was just wrong. If she walked in and said, "I can't sit in this, it'll split" then they should have worked around it. Maybe she didn't say that, maybe he shouldn't have let her leave the workroom in the skirt. But all the same, something smacks of "not his fault" while at the same time reminding us of "make it work."
The problem, I think, was completely in the top. Sure, the skirt was uninteresting but if it was countered with a truly fabulous top it could have been something, and instead it wasn't.
I love the handmade zebra print so much. That was such a creative use of air filters, and I think Kenley really made something that was creative and used interesting materials. My biggest problem with it is just that it's a little boring, and it's just so much like everything else that she's given us. Where's the thing that's supposed to make it memorable?
I like this coat, don't get me wrong. But the one thing that makes me not love it as much as some is that I've seen this woven seatbelt thing before. They sell these bags at the Hirschorn in different sizes, and they do some interesting patterns to. So that's not really something that is new.
That said, it's still very impressive. I think that Korto is absolutely a lock for the final three, there's no doubt in my mind about it. One of my friends said that everything she's made has been a kimono, and I do have to admit that she goes with similar styles often enough. But she's been strong in almost every single challenge and she's definitely got a handle on herself and her own style.
I am so in love with this garment. Leanne impresses me more and more every episode, and I'm so happy that she's also got a fabulous personality and great manners to go with a good aesthetic.
I just really love what she did, with taking the natural flow of the leather and letting it really just do what it wanted. Also, for me, this is an example of a garment that isn't something you would just wear to work but isn't' so over the top that you look at it and say "WHO would wear that?" It's just well made and well thought out so you look at it and you don't care who would wear it, the model is wearing it and she looks fabulous.
I love that she decided to fray the seatbelt too. I never really thought that much about seatbelts before, but the frayed ones I've seen haven't been nearly as attractive as she made this. You also can see pretty quickly how fast she learned how not to just pile things onto the dress because the trim is so understated and it's really a trim.
An absolutely deserved win.
Stella is the same story as Keith: she was on the bottom because instead of trying to be better at what she does she decided to be something else. But also, because it was a poorly fit, boring and drab little outfit. Not to mention the fact that the seatbelt skirt had this huge pucker in each layer going down the back. I know it's a horrible "fabric" to try to work with, and that puckering like that was probably their number one enemy. But the fact that it was so bad just speaks to how little Stella wanted to work on this challenge.
I'm really a little baffled about Stella suddenly deciding not to be herself. I don't like her garments or her style, but at least she was unapologetic for it up until now. Unlike others, she just said, "this is what I do, these are the clothes I make." Sure, I wanted to see her branch out, but there's a difference between branching out and wussing out.
If the top had been more fitted and the skirt hadn't had those puckers then I think she probably would have still been in the bottom for being a touch boring, and because so many of the dresses were so good. But I wouldn't be thinking she should have gone home.
This is a really fun little outfit, but it reminds me so much of most of the things that Suede has made up until this point. I do like that he was the only one that used some of these materials, but it's overall effect was really impressive, but would have been more so if we hadn't seen this dress from him before just in different fabric.
This is a fabulous outfit, it's absolutely wearable. I could see this model walking into a club right now. Some of the praise that was heaped on Terri's earlier inspiration design fits right here. The only thing for me is that it is a little plain and safe at the same time. And saying that makes me feel like a hypocrite because both things can't be true at the same time.
I wouldn't have replaced anybody that was in the top (except perhaps Jerell, I think that this garment is on par with his) but at the same time, I think it was really fantastic and I could see this actually being sold in stores.
While on the one hand I absolutely hate this challenge because of the product placement and the cheap commercialism of it. On the other hand, it's more along the lines of the flower challenge or any of the crazy weird ones we've had in the past. I also think that these are just the best garments that these designers have produced so far. Congrats guys.
