Thursday, October 29, 2009

Wardrobe Controversy on Project Runway

Okay, so for once I can weigh in with at least a very finite amount of first-hand experience on the DRAMA that is going on with the Models of the Runway.

To sum up, one model accused another of using double-sided tape with her garment, and that's against the show's rules.

Earlier this summer, I was the set costumer on a feature film. One of my jobs was to do "last looks" which means checking everybody over seconds before the camera rolls to make sure they look good (or at the least, look the way they're supposed to). Which means that I was the girl on set with the handful of double-sided tape.

And let me tell you, we used a lot of it sometimes. These actresses would look absolutely gorgeous in these costumes, but you had to be certain that it wasn't going to slip or shift and that it was going to look gorgeous every second you were recording. But it doesn't really change the look or feel of the garment, it just ensures that it stays put if you're going to be moving around a lot.

Which is why I'm completely surprised that the PR staff doesn't allow it on the runways. I'm sure if you went to Fashion Week you'd find quite a lot of it floating around. Heck, I'm sure a lot of women use it just for going out. It was pretty darn handy for a million reasons.

But, in the end, the rules are the rules. So they told Kalyn that she can't use the double-sided tape. Okay, to be honest, I believe that she knew when she put it on the first time that she wasn't allowed to use it and she was going to try to get away with it. There's no way they've made it that far into the show without this becoming a topic of discussion. So I do think there was a little bit of scheming there.

HOWEVER, Katie's insistence that she saw the tape was still on just before the runway show bothered me. She said that it was because she saw a red strip on what should have been flesh toned (at least, that's what I heard) and that proves it.

It doesn't, and Katie should know that. I don't know what's going on in her mind, I don't know why she's upset. I forgive her for bringing it up in front of everyone the way she did because she was being egged on to discuss what was bothering her even after saying she didn't want to. She caved and said how she felt, I don't fault her for that.

I fault her for the completely wrong logic it took to get to that conclusion. If there is one thing you learn about double-stick tape after using it repeatedly, it's that the stuff is REALLY sticky. Sometimes we used stuff that was actually wig tape, so it was designed to keep people's hair on. That's some powerful adhesive.

Irina's dress in this challenge was made out of a particular type of brocade. A type of brocade that quite frankly, sheds easily. It is completely conceivable that the residue from the tape that was left on Kalyn's skin and the fabric worked together to leave a line of fuzz where it had previously been.

Not to mention the fact that if Kalyn was actually using the tape, then how would Katie have witnessed it? Unless she was doing it wrong, it would be hidden by the fabric, or if it stopped working and the dress slipped anyway, in which case it didn't actually do any good or change any results, so why be so upset about it?

I know there are going to be people out there defending Katie's point of view and saying "She saw it there! What did she see if it wasn't the tape?" Well, I can tell you it's entirely possible, indeed plausible, that she saw the remains of the residue and adhesive that the stuff leaves behind.

I think Kalyn handled the whole situation with a lot of class, also. Good for her. Though to be completely honest, my favorite model got eliminated this week so I'm not entirely happy anyway. I'll continue rooting for Matar I guess, since I like her as well.

I know that I've stopped recapping the episodes like I used to. That's a mix of two things. First, that this semester has killed me and I haven't had time to think or sleep in months. Second, that I'm still upset about Ra'mon being auf'ed and Nicolas winning in that challenge and I still can't write about it.

Monday, October 26, 2009

DVD rentals vs. sales

Remember, way back in the day, back in the 80's, when a movie was only available for rental for the first few weeks or months of it's release?

Rental stores had to pay hundreds of dollars for each copy of the movie that they purchased, and if you wanted to see that movie the day it came out you had to get it from your local video store.

That changed around the time I was in high school I think, maybe a little earlier, when they basically made movies available to rent and buy retail at the same time.

Now, with the popularity of Redbox and Netflix rising every day, studios are apparently thinking of reversing the old system. Basically a DVD would be available only for retail purchase for the first few weeks and then to rent after that.

So here's my response to that:

Are they thick?

Did somebody smack them upside the head when they were supposed to be studying economics and business and it rattled their brain into perennial opposite mode?

This will not bolster or help the DVD sales market. The DVD sales market is dying for a few reasons, none of which are entirely the rental markets fault.

Reason #1? THE ECONOMY. It's bad. People aren't buying luxuries and one of the first luxuries to go is often entertainment like movies and books. I know it's the first thing that gets cut out of my budget and I'm a filmmaker.

Reason #2? Pricing and special editions. This is the same problem studio execs found with CDs and they still haven't woken up to the truth. If a DVD is too expensive people won't buy it. Think about this: say you make $10 profit off of a DVD sale at a $20 pricepoint.

If you lowered the price to $15, you would only make $5 profit, seeming to cut your profit margin in half. But if that price drop made twice as many people buy the DVD, then your profits would stay the same. I know that this is all fuzzy and conjecture, but with all the people talking about sales and the economy, can't somebody do the studies and show that lower priced DVDs would equal higher sales and higher profits for the company?

And while they're at it, could they show that releasing a movie twelve times with different sets of special features is irritating the consumer? Not to mention when you have exclusive content depending on what store you buy your disc at? That's just uncalled for.

There's even more stuff involved than that, but in the end, even if the studios do go and make films delayed on the rental market, all it will do is serve to cause me to purchase LESS films.

I have a very specific set of questions I ask myself before I buy a movie. Have I seen it? Did I like it? Will I want to watch it over and over again? Unless all THREE questions get a yes answer, I will not buy the movie.

I know, that isn't the typical thing you'll hear from a film major or filmmaker. Most of the people I know have overflowing stacks and shelves of DVDs. And that's great. But the thing is, those people are buying the DVDs instead of renting them anyway.

Basically all this plan is doing is setting out a sign from the film studios that says, "Hey, all you people who are budget conscious and like to live uncluttered lifestyles, who prefer to think about their purchases and give their money to only the best artists and people they truly love: we don't like you and we think you deserve to be punished."

I can't think of a single person I know who would say "I can't see this movie for two weeks unless I shell out $20??? I MUST HAVE IT!"

Heck, I don't watch new releases sometimes for months or years because my Netflix queue is so full of classics and television shows I want to catch up on from the years when I didn't have cable (I'm still eight seasons behind on CSI). The only reason I rented Transformers 2 this week was because my husband wanted to see it and asked me to. Otherwise my next disc is an anime from the 1980's that I haven't managed to see before, and after that is the Dawn of the Dead remake just in time for Halloween.

What I'm saying here is that this plan will not make an impact on DVD sales, probably not even a dent. But it WILL serve to make the studios look bad, and insult a subset of their audience. So why do something that won't help and might harm? If I can't rent the DVD in the first few weeks, I'll just throw it to the bottom of my queue and forget about it, not renting it for YEARS, which certainly helps nobody's bottom line.

Movie studios are starting to sound as stupid and out of touch with modern times as record executives.

Monday, October 12, 2009

Thoughts on Film Writing

I'll catch up with my recaps sometime this week. But the thing is that I'm snowed under with my grad school homework.

Which includes a lot of reading, which has gotten me thinking.

You see, I like film as an art form and as a storytelling device for one main reason: the way it resonates with so many people. A good film is one that crosses gender, racial, and social lines to appeal to a large number of people. Not in the same way, of course, but people of all shapes and sizes pull something from the film. It relates to my personal answer to the question "what is art."

I believe that when an artist takes something of themselves, some truth they're trying to attain, some piece of their own puzzle, something about their life or belief, and they put that into the work, then they are a "real artist." And I believe that when someone, anyone, other than that artist looks at that work and takes something from their own lives, some piece of their own truth, and they pull that FROM the work, when they see something of themselves in that piece created by a person they likely did not know, then that is art.

In other words, art is something that speaks. But the important thing here is that the piece itself speaks to the audience, not the creator. If a writer, artist, or filmmaker must explain their work, or they feel that the only "real" interpretation is the one they provide and anyone who doesn't see that doesn't "get it" then it no longer really inhabits the real of "art" and it's just a recitation. Art must live on it's own, and it only lives with an audience.

To me, the beauty of filmmaking is that it is so far reaching. I attribute that to the fact that filmmaking is really art by committee. I consider this a great thing, before you get upset. Filmmaking is an art where each person is taking something from their lives, from their beliefs, and they are putting it into their part of the film. Yes, the writer, director, editor, lead actors, and producers are all known to be putting their vision to film. But at the same time, so is the art director, the wardrobe designer, the extras (if they're good), and everyone else involved. When everyone really believes in a film and puts at least a part of themselves into that film, then that means there are a hundred little truths sprinkled throughout, and those truths all have the potential to reach someone in the audience. Perhaps I don't agree with or buy into the director's truth. But I might believe in the art director's vision and that might draw me in and make me think of the film in my own way, thus elevating it to art.

Which leaves me with a very unpopular opinion that is going to get me into trouble soon. I believe that one of the worst things that you can do with film is write about it in the "academic" vernacular. To take a film or set of films and create a work where you explore it in a way that is inaccessible to most people is against the very nature of the process. I have read so many essays and papers about film that could easily have proposed the same ideas, the same thoughts, the same conclusions, but in a more easily read and accessible way, but because of the strict standards of academia and "higher learning" they're written in a way that most of the American population can't begin to understand or care about.

Film is not an art form that is about being selective, exclusive, or that has anything to do with an ivory tower. Exploring film in that way is counter to what I believe, to what I feel, and I'm tired of being expected to write about it that way myself. I can't write that way because it's not true to myself and how I feel.

You can disagree with me, that's the point of this blog having the word "opinion" in the title. In fact, I think it's important to note that for some people who are steeped in academia they likely don't know any other way to write. If they are indeed scientists or philosophers, that will just be the way they express themselves. But I think that in the places where we're teaching people to think critically about film, teaching them how to really write about film in order to leave their observations for future generations, perhaps we should be teaching them a way to write that is both persuasive and understandable for a much larger segment of the population.

As they say in one of my favorite films, "an ounce of pretension is worth a pound of manure."

Saturday, September 19, 2009

Fit to Print

Sorry about missing last week folks. If you'd like to read my thoughts, they're posted here. And if you want to make sure you don't miss anything even when I don't post on time, there's an RSS feed over to the right and there's also a syndication of the feed on Livejournal, thanks to the lovely Domynoe.

On with the real show!

I'm so happy about this week's challenge. It's so nice to seem them really returning to the wackiness and actually challenging aspects of previous years. I hope this trend continues.

What I wasn't happy to see was all the backbiting and middle-school aged immaturity on display. But I'll get to that.


My favorite dresses of this episode were the ones that used the photos in the paper to create a pattern, and this is one of the best examples of that. I know not a lot of people have seen the effect that's made by seeing a couple hundred copies of a newspaper stacked together, or on display, but the repetition can have it's own kind of beauty and Althea took advantage of that in a brilliant way.

The dress itself was also very nice, well fitted and flattering.

Carol Hannah

If I saw this dress and only knew that it was part of a challenge to make a dress out of newspaper, I would think "well, that's a pretty fair job."

But I've seen some of Carol Hannah's other dresses this season and while I like her quite a bit at the same time, her work can get just a little sloppy. So for some reason that's all I can think about with this dress, was that it fits with everything else she's done, which means everything else looks a bit like rumpled paper.

Also, I think her goal of making a dress that doesn't look like it's made out of paper was a bit against the spirit of the challenge, but perhaps that's just me. I didn't like that she dyed the entire thing, and I didn't like the color that came out of the effort.

It's just not impressing me, overall.


Is it just me, or did Christopher never really answer the judges question about how he made the bodice so armor-like? He said something about pattern paper, but I'm used to pattern paper being that flimsy stuff that tears if you look at it the wrong way. When I've needed to make patterns on my own I've actually just used newspaper, so I'm not sure what he was talking about. Maybe that's my lack of experience sewing that's on display.

I admit, part of the reason I'm so curious is that I know a dozen costumers that would love to find a way to cheaply make light armor for their costumes.

Anyway, I do really enjoy this dress. I like that he thought to put something matching in her hair, because I think that's part of what sells it for me. It's well done, and the judges touched on everything that was great about it.

I actually wasn't entirely sold on Irina's trenchcoat, so I would have given this the win.


This is what I was saying when I recapped last week's show. Epperson is just so steadfast and fantastic at what he does. He let the newspaper be it's own pattern, which most of the designers weren't able or willing to do. He made a really good garment, and Matar looks great in it.

But I can't say that it really stuck out in my mind or anything either. It seemed a little typical, not as creative as it could have been.


Sometimes, I think that when the judge's see the tabulations for the top and bottom scores, they say, "Oh, really? Well...I don't know what to do with that." Because in the end, there's no real explanation for Gordana being in the bottom three.

Saying that she was too safe and too wearable could be a fair critique, but I see several other things that went down the runway that I would say were more so. I think Carol Hannah's is the obvious choice for that.

Gordana's dress is well constructed, well thought out, and doesn't rely on the use of dye to change the paper to something else, she just used the same section over and over to create a pattern.

I'm not exactly sure why they had a problem with it, because I think that it walks perfectly down that line between "wacky challenge response" and "darn good clothes."

And isn't that what Project Runway is supposed to be about?


Let me just say that I am so happy to see Irina finally getting her due. I wish it had been for a garment that I was more in love with, but such is life. It's just that I don't like big fur collars, so her approximation wasn't up my alley either.

At the same time though, Irina did put a lot of work and thought into this. The marker "stitches" were a great idea. Side note: somebody said something about not knowing how to sew newspaper. Um, you don't. I can't figure out a way where sewing it would actually be the proper answer to the construction issue, so I'm not sure why they bothered. /side note.

I'm going to take a second to comment about how a particular designer who I won't address until later stated that Irina didn't belong in the competition. I have no idea what competition HE'S been in, but from where I sit, Irina is one of the strongest contenders for either winning the show or having a fabulous and successful career after the show.

Think about it. Episode one she makes a fan favorite gown that is creamy and gorgeous. It shows off the model, it's classy, and most people agree should have been in the top.

Episode two she makes a completely beautiful light blue maternity dress that I would want to own in every color. The worst critique I've seen of it was that it was a little boring, but I can't say I agree. I think the sheer craftsmanship and fit of it saves it from boring.

Episode three she's paired with Johnny, so it's a misstep, sure. But the surf look is cute and casual, and the avant guarde look...well. The less I say about it the better. But they're still a top team, don't forget.

Episode four again saw Irina not make it to the top for a well designed, well made, really good looking dress. One that didn't look a bit like what other people were making, and flattered her model beautifully.

Saying that she doesn't belong in the competition is just ludicrous and I can't imagine where it came from other than either bad taste or insecurity.


*sigh* It's time to talk about Johnny isn't it? Hasn't all of it already been said? This is a poor showing, it's a poor effort, and he should be ashamed.

His ridiculous story about the steamer was summed up best on Models of the Runway when one of the models incredulously asked, "he was steaming newspaper?" Johnny, if you're going to make things up, make up something plausible. You accidentally tore it straight up the side, and you didn't want to tape it all shut because that would show. You spilled dye on it. You knocked it over and your cranes were crushed. Heck, even, "I did a spit take when Epperson started imitating Shirin and it ruined the dress, oops."

I'm amazed, all the time, about the way the designers behave on the runway. Sometimes I think that the best thing about this show is that it might make people start thinking about how to think and speak to superiors. Doesn't anybody teach professionalism anymore? Listen, I'm in a creative field, and I'm in grad school. Defending your work without being argumentative, accepting criticism graciously while still standing behind your art, and generally not telling everything are all things you have to master.

There was no reason for Johnny to even bring up the first dress, because he should have known that the judge's wouldn't care. For him to say it was ruined wouldn't win him any brownie points, really. For him to say he scrapped it and started over, they still would have said, "you should have known better and made it work."

Johnny deserved to go home, and he deserves to be called out for his lie. He couldn't take a criticism and he couldn't defend his original design so he trashed it in a fit of childish tantrum. Absolutely. And his original design was pretty bad too, and it certainly wasn't "Dior."

However, I'm about to attack a sacred cow here. Tim's behavior after Johnny's exit was just as unprofessional and I'm just as annoyed by it. Tim has made a name for himself as a gentleman and a mentor. Speaking kindly to somebody's face and only waiting for the second the door shuts to badmouth them is not gentlemanly and it certainly doesn't make people want to open themselves up to your mentoring either. This isn't the first time that Tim's comments about contestants have sat wrongly with me, because I think of anybody on the show he should be living by the phrase, "if you don't have anything nice to say..."

A professor shouldn't speak ill of their students in front of other students. Tim, in his role as mentor, qualifies for that rule in my mind.

Listen, if Tim had couched it as a cautionary statement to the effect of, "I hope that you remaining designers can see that making up a story on the runway will not do you any favors, and I hope to never see that again" I wouldn't be so upset. And that was very likely his intention. But that's not what he said, what he said took on a gossipy tone and the timing of it bothered me because it made Tim seem two-faced, and that's the last thing I want to think about a man I admire.

I will point out that it's possible that an editing trick caused the timing thing (seconds after Johnny had left the room). I would have to watch it again to be sure, but I don't remember a cut at that point, it seemed to be a continuous shot. I'll check when Lifetime posts the episode.* Please see edit at bottom of post

I'm moving on to better things now.


For some reason (likely that they hate me) my cable company decided that the second after Heidi said "let's start the show" was the perfect time for a mandatory weekly test of the emergency broadcast system.

So while this design walked the runway, I was yelling at a green screen and annoying tone.

I really hate that I missed it. I absolutely love the way he played with the color, and I love the color itself. The dress fits fabulously, and if it was made of cloth I think that a lot of women would love it. It's not as ambitious as some of the others this week, but I like it quite a bit.

But having not seen it walk the runway, I haven't had a lot of time to form more opinion about it than that.

Does Louise just not like Fatma's neck? Also, there are a finite number of women above the age of 15 who can pull off the "mouse ears" hairdo, and Fatma isn't one of them.

I just don't even know what the curlers on the front of the dress are supposed to be. What are they supposed to be doing? Because as it is, they just look wrong and like they were put in the wrong place. With the color of them, they remind me of little bits of hot dog or something.

I do like the skirt, but I think overall it's just not a very creative effort, and I'm actually glad to hear that Louise didn't feel so either. The fact that she recognized it means that she'll go further.


Oh. Now we're here. Nicolas. I know the recapper from Television Without Pity really loves Nicolas, but I haven't really liked him from the beginning. I don't think he's really shown a great garment yet (with the exception of the surfer one where Gordana made the top) and he's done nothing to earn his ego. As much as I disliked Christian, and didn't like half of what he made, at the same time he at least had some skills and talent, and I could admit sometimes that he just wasn't my style since I think skinny jeans need to drop off the face of the planet.

But Nicolas? He rips on Irina when she's outclassed his offerings in every challenge, and then he acts like a five year old tattletale on the runway. It wasn't just that he rolled his eyes, it wasn't that he made a comment. It was that he was practically bouncing up and down with glee as he got to report to Heidi that the first dress was a "red mess" and that Tim said the birds were attacking the dress. Which, for the record, was NOT exactly what Tim said, but whatever. Nicolas behaved badly, and he looked like a spoiled bratling. Also, isn't he supposed to be the feather prince? Why has he given us two boring black dresses, loose pants, a space prostitute uniform, a white shell, and then this? What kind of poorly thought out nickname was that?

As much as I might have wanted Nicolas to go home last night so I wouldn't have to hear him sound so smug as he insults others (really, his tone of voice drives me up the wall, he's so condescending), I have to admit that Johnny's dress was much much worse. This at least showed some attempt at imagination.

It's a mess though, sorry Nicolas. It's not very well made, and it doesn't really say or do anything. It's blah. It's less punk than Avril Lavigne.

I'm rooting for Nicolas to be kicked off next week. As he said, they're starting to weed out the weaker designers so it's his turn, because of the remaining pack, he's certainly the weakest contender based on his history on the show.


I actually really love this dress. I think Ra'Mon did some fascinating things with the colors, and the pattern. I actually could see it on a traditional runway as part of a larger show. If it was made of real fabric, I might think about getting it.

As for Ra'Mon's model...I was interested in the comment he made under his breath at Models of the Runway, that he didn't want to keep Vanessa. I wonder why that is. I know she's been the source of tension in the house, but I think in her original argument with Fatma she was in the right. I also don't think Fatma was really remorseful when she apologized, but I think Vanessa's insistence in not accepting the apology was kind of dumb. Just say "okay, fine" and move on, and don't be her friend.

As for their dream team, well, that's just clique-y and stupid, and so very reality TV. Yay Models, for dragging PR down to the level of the rest of the shows in it's genre.

Anyway, for the most part I thought Vanessa did a good job modeling for Ra'Mon, but this week I didn't really like her efforts. This picture is just kind of awkward and strange. I know, she wasn't posing for a photo. But runway shows are heavily photographed, so shouldn't they look poised and good whenever they pause?

I'm glad they're forcing the designers to all change models next week, so that Ra'Mon is free to chose as he wants to. I don't think anybody would have thought less of him for switching this week, but it's nice that he's concerned with being a good person.


I can't say that I like Shirin's dress, really. But I can say that I think she really took a chance, and that I'd rather designers take risks than be boring. She decided to do something that she couldn't necessarily do with fabric (unless she's Leanne Marshall, but anywho). It had a great movement to it too, that some of the other dresses lacked.

As for the montage of Shirin being too talkative and all the designers hating her for it, I can't say it annoyed me because I really identified with that moment. I won't get into it more than that, but I'll just say that Shirin probably isn't trying to be anything other than herself, and if the other designers are irritated or want her to be quiet, there's a polite way to say so.

That episode as just too much after the blah that has been this season so far. I can't believe it took this long for it to get more fun again!

*Edited to add: I have watched the scene over again on Lifetime and I will have to admit that I was wrong. There is a slight cut point at that moment in time where a time compression easily could have occurred. While all the designers and Tim seem to be placed in the same positions that they were when Johnny left the room, the fact is we will never know how much time passed between his exit and Tim's comment.

This does not fully change my opinion of the situation, however. I still feel that Tim's comment was delivered in an inappropriate way, especially when coupled with my knowledge of some of the things he has said about previous designers in interviews in the past. Because of those statements and this one, I would have a lot of trouble trusting him as a mentor and teacher. While his taste is impeccable, there is a certain vulnerability involved in opening up your creative works for critique and the purpose of a good mentor is to give you a safe place to explore that work and create something better. The feeling that your mentor might talk about you or insult your work behind your back to your colleagues and peers is not a good one to have, and I have experienced it personally. There are few times I've felt as betrayed as that moment, or as disheartened and discouraged about my own work.

I still love Tim, and I am not saying that suddenly he is a bad person. Everyone does things that they regret and says things they maybe shouldn't have said. I'm just disappointed really. I had thought he was more classy than that.

Playing Catch Up

So, I missed writing up last week's Project Runway. I'm sorry, I had some class commitments that took up too much of my time, and I admit I wasn't looking forward to this one in particular, since it was amazingly boring.


Well, gladly I think my pictures ended up alphabetically so this is first and I can get it out of the way.

I absolutely hate this outfit. I fully believe it should have been one of the bottom two on the runway at the end, and that it's execution problems were on par with Johnny's rumpled mess, and Althea deserved to be called out for a shoddily made, poorly fitted, disastrous garment. As many people have pointed out, the jacket is really nice. Okay, sure.

But who can see the jacket over the bunched up wrinkled skirt? Over the tank top that doesn't even fit the model as well as my pajama shirt that I wear when I'm not feeling well and want to wear something frumpy and comfortable?

I've pointed out problems with the craftmanship on Althea's garments before that goes unnoticed and it just serves to remind me how ridiculously biased the PR judges can be, and that doesn't make me happy. It makes me grumpy with one of my favorite shows and who wants that?

Even if you don't believe this was a bottom tier outfit, at the least it should have been on the level of "safe." Who cares how good the jacket or the model were, it just wasn't as good as half of the other things that walked that runway, no matter what the guest judges had to say.

Some people have taken umbrage at Irina's catty comments about it in the episode that ran this week, but I can't help but agree with everything Irina said, so I can't hold her accountable for it.

Carol Hannah

This dress reminds me of Rami, in the best of ways. I love the purple fabric of the top, and how it works with the black. Actually, I would absolutely love to see these fabrics and this idea spread out across an entire collection.

I can't say I'm crazy about the model's styling, her hair really bothers me. But in the end, it's a great dress. The bit on the back is a little much, but I digress.


On the one hand, I actually like this idea and the execution of it is pretty cute. On the other hand, it does look an awful lot like a sushi wrapper.

The fabric is also suffering from some of the same rumpling and messiness that Johnny's did, so not the best fabric choice for color or style.

But the shape itself is rather nice, maybe if he had done it with a more subtle green, or a blue, it would have been lovely. Not winner lovely, or anything. Safe, middle of the road, "you can leave the Runway" lovely.

Side note: I love his model, I think she's one of the most beautiful ones this season.


This dress is not even a little bit within my style of clothing, but I like it. I think it fits Matar very well, and it flatters her coloring in an amazing way. This is a great dress for her to wear to an industry event where she'd like to impress people and be hired.

I think that Epperson is becoming one of my favorite designers, though I don't know if I picture him going to the end of the competition. But he's juts got this steadfast GOOD quality about him. He works, he does what he's meant to do, and he just gets it done. There's not much fuss or muss, no drama aside from his interactions with Qrystal. He just makes really good clothes.

There's a lot of room for that in the world.


While I agree with some comments that the color of this dress when matched with the model's hair and skin tone makes her wash out a lot, at the same time I think it's just a really fabulous little dress. It somehow manages to feel mod and hippy at the same time. The detail on the front is really well done, especially considering how much time and effort it must have taken.

I wish this dress had been in the top three, because I think Gordana deserves a bit of respect and she doesn't seem to be getting it just yet.

All I'm going to say in conclusion is that if I wore skirts this short, I'd wear this dress. I really like things that use something other than lace, ruffles, sequins, feathers, or whatever to accent the garment in a non-traditional way.


Irina has been the dark horse of this competition, because nobody seems to be noticing the fabulous looks she's sending down the runway week after week. Well, at least they weren't noticing at this point. But look at this! That pattern could have been a complete disaster, and yet it works so perfectly on the model. The shrug tames the pattern just a smidge more, and makes it all much more elegant and classic.

I have a tiny problem with the giant lapel going on here, but in the end it's a really solid effort and I think it absolutely should have taken Althea's place in the top. It's a great piece.



I think the judges did a good job describing this on the runway, so I won't really add to it except to say I'm pretty sure I knew girls who owned that dress and wore it to homecoming, or a spring wedding as a bridesmaid. There isn't a single interesting or innovative thing about it.

Also, the purse and the shoes don't really match each other, let alone the dress.


WHY did all the designers pick up that type of fabric? Christopher, Johnny, and Logan all had this stiff satin-y stuff (I'm not good with fabric names, personally, I know what I'm talking about but not what it's called). That stuff is terrible for wrinkling up and looking like this, and they all did it.

I can't put my finger on what doesn't work about this. Is it the styling of the model? Well, yes, but that still fits Koji very well. Is it the thick lace? Well, it doesn't do the dress any favors, but it's not a disaster. The shape? No, the shape is really fine, in the end.

Maybe it's just putting it all together that leaves something to be desired. I don't know, but it just doesn't work and I don't know why. I don't like it, but I don't hate it either. Maybe it's the fact that this particular shade of blue doesn't look good with Koji's skin tone, in my opinion.

Whatever the reason, it's good that Logan didn't go home for this because I don't think it's an intentional disaster, it just feels like one of those projects where you get started and you have no idea what's wrong or how to fix it, just that in the end it might be better to scrap the whole thing. I think almost all creative people know what that's like.


Well, it's nice. Okay, it's a personal opinion but I hate big collars like that. I've rarely seen women who can actually pull them off and make them look even the least bit comfortable or wearable. And it's not just that, because something can look unwearable but still fabulous, but it just doesn't work right with the shape or something. It makes women look like their heads aren't attached or something, I don't know. Can you imagine trying to talk to Fatma at an industry party while she's wearing this? Her head all cozied down in the middle of this ruffle? How do you have a conversation with somebody in this type of thing?

That said, I think if you took the collar off of this dress, it would be a fabulous little black dress, and it would be something most women would want to have a version of in their closet.

Listen, I don't understand Nicolas. I just don't, I don't know why so many bloggers love him, I don't know why everybody thinks he's fabulous. He's yet to make anything that I thought looked well fitted or desirable, and he seems to have about half the imagination of some of the former contestants of the show. Could you imagine him in a showdown with Daniel Vosovic? Daniel V. would wipe the floor with him without even trying too hard.

This is one of those garments that looks good on a runway, but not anywhere else. Think about it, imagine you're at an event looking for someone to work for you and represent you. You see someone wearing this. Does she stick in your head? Do you remember her at all?

Not to mention these were supposed to be tailored specifically for these models as a client, and I see no real match going on here. When you saw Matar in her dress, you saw MATAR in her dress. You don't see the model here. If this was in a runway show for a collection, I would think they picked the wrong model to wear the garment because somebody dropped out.

As for Nicolas' comment that the dress fit his model wonderfully, was he watching the same garment I was? From the bottom of her bust down, yes it fit great. Around her neck? Sure, it's fabulous.

But her bust wasn't even a little fitted, and it poofed out and folded with her every movement. Which is an innate problem with halter tops, actually. It's pretty darn difficult for it NOT to do that, especially with a fabric like this instead of say, a thin cotton. So normally I wouldn't really call attention to it, since it's an inherent issue with the style, but he's the one that said it fit her perfectly.


Valarie looks really unhappy in this picture, and I start to wonder a little if the judge's reaction to this garment isn't a little more influenced by her expression and performance.

Yes, it's safe. Yes, it's boring. But it's still pretty stylish, and maybe it's for an older crowd but I think there's a huge market for this particular dress. I bet she could make a dozen of them and sell out of them over a weekend.

In other words, Johnny made something that looked like something a high school girl would sew as an early project as she learned to make clothes (a talented high schooler, sure, but one without much attention to detail) and Qrystal made something that was at least put together well and didn't look like her model had just gotten out of bed.


I think this angle and this photo highlight the absurdity of this dress quite perfectly.

Listen, I'm not against it. I think it actually could have been a great answer to the surfer avant guarde challenge. But it's not a cocktail dress for a model to wear to a party where she's trying to get a job. Again, we go back to the "how do you talk to her" scenario. When they showed her at the event itself, she looked completely strange and out of place.

The color is beautiful, and it's well made and all. But it doesn't fit the challenge, really. So middle of the pack safe makes sense.


I love Shirin, I really do. And I think she did well with talking her model away from a jumpsuit and such. But there's isn't the first thing about this dress that stands out in any way.

It's boring. I can't even remember seeing it on the runway, I keep seeing the pictures of it again and going " that from the same week?" It's a good dress, she could sell it in a store. It would be a great dress for going to a party where you want to look good enough to impress. But it's nothing to write home about either. Executives at the end of the party might turn to their friends and say, "You remember the girl in the blue dress?" and their friends would say, "What blue dress?"

Unless they responded, "The one that was being eaten by the ruffle-flower?"

Friday, September 11, 2009


First, I just want to point out how much I absolutely adore Netflix's Watch it Now service. Now that I have a television I can hook up directly to my computer, I have watched quite a few hours of great movies and television without having to wait for a disc. My only complaint is that I have to run it in IE rather than Firefox.

Now that my fangirl moment is out of the way, I'll get to Penelope, after one brief tangent.

I'm currently enrolled in an editing class. Our current assignment is to cut a trailer for a film, so last week we watched several trailers and discussed how they were or were not successful. When the trailers for Penelope were coming on television, I thought I'd like to see it. It looked like a fun little whimsical fairy tale, and I just knew it would be a love story with a happy ending. Let's face it, I'm a sucker for a love story with a happy ending.

Now, in an attempt to find the trailers that I watched that made me want to see the film I just found the "extended trailer" which basically includes the entire plot of the film, and isn't nearly as fun and certainly wouldn't have made me want to go see the movie. If you have to give away the ending of your movie in the trailer, then how much faith do you have in your actual movie? Maybe film students are different from most viewers, but most people I know can tell if the trailer gives away the end and really resent it.

Anyway, all of that aside. I didn't watch that trailer until just now, and I did watch the good ones. So I watched the film the other night and I have to say I greatly enjoyed it. Don't get me wrong, the film had flaws, and some major ones at that. But I was willing to just let all of that go and enjoy the ride.

The biggest flaw, really, is the story. There's not enough of it there, and what is there isn't as well drawn as it could be. The film landed a huge coupe when they cast James McAvoy and they certainly underutilized him. In fact, almost every character is underdone. It's just not a character driven piece, in the end. I think that works against the film with current audiences, though I don't know that it was trying to be so much more than it was.

The problem is that once in a while, with a line here or there, a moment, an expression, the film transcends it's silly fairy tale treatment. When Penelope tries to explain to her mother how she's feeling, the writing becomes heartwrenching, if a little exposition heavy. I know I'm going to keep coming back to James McAvoy but in the end he has some of the finest acting I've ever seen. He says more with a pained look than some actors can in a whole monologue. And the end...I try not to spoil endings, but I must say that I think anybody who likes romance or love stories needs to watch the film, if for no other reason than to see the next to last scene.

I think that the art director and costume designer for the film deserve praise. They've created a setting that exists everywhere and nowhere at once. If the film is intended to be set in a specific place then I couldn't figure out where it was. It felt like New York City and London at the same time. Penelope's clothes were delightful, and everything looks beautiful. The only thing I can say is that Christina Ricci is almost too adorable in her pig nose, but I forgive everyone's overreaction to it as part of the sort of oversaturated screwball world that they live in.

It's a good little film. I think most people who like fairy tales, love stories, or quirky comedies will enjoy it. Now if you'll excuse me, I'm going to add everything James McAvoy has ever done to my queue.

Saturday, September 05, 2009

Avant guard meets...surfer?

When you think of surfer girls and surf wear, what's the first thing that comes to mind? Wet suits? Bathing suits? Hibiscus flowers? That really annoying level of JoJo's Fashion Show?

How many of you thought "Avant Guarde fashion?" Nobody? Crickets?

I'm so completely baffled by the decision to pair the two ideas, and apparently so were the designers. In season four, the designers had to make an avant guard look, and then create a ready to wear look to compliment it, the two looks mostly complimented each other. You also got some astonishingly good fashion out of it. Even the dress that got a designer eliminated wasn't BAD, it just didn't fit.

Yet this group...this group turned out a lot of really weird stuff. Some boring, some downright weird, and none of it matched, really at all. What did their pairs of outfits have to do with each other? They didn't. Much like surf wear and avant guarde fashion.

Louise and Althea

What's really sad about this episode is that aside from a few key groups, I can't even remember who was paired together. I keep having to go back to the website to figure it out, but I guess that's what you get this early in the season.

Last week, I didn't like the fit of the bust on Althea's dress. This week, the fit is still really similar, so I think it's just one of her design trends. There's just something about that particular style and fit that makes the woman's chest look like an odd proportion. I don't understand why people think it's great, I guess because it shows off a lot of flesh? But in the end, it actually elongates that part of the chest, which I don't think is the intended result.

I also gave a pass last week to Christopher for the bubble skirt hem he did on the shirt he made. I won't do that with this bubble skirt hem, I still hate them.

In the end, while I like the color and the garment fits the challenge really well, it's just filled with sewing techniques that I've never liked, understood, or wanted to wear.

The avant guarde look is much nicer, and very well constructed. I find it very impressive, and beautiful. I don't think it takes enough chances to be really avant guard, but it's still nice.

But how does it even remotely relate to the first look? Look at them together, they don't even seem like they'd be in the same collection, let alone the same challenge.

Shirin and Carol Hannah

The surfer outfit was nice, I love the fabric. It really reminds me of the things that Uli made. The only thing I hesitate about is that I don't know if surfers actually wear teensy bikinis or if they prefer something with a little more coverage. Since they talked to the surfer girls, I'll presume that sometimes they wear more skimpy things. But in the end, solid effort, a little fun, and well done.

The avant guarde look...well, if you cover up the bottom third of the dress and pretend it isn't there, then it's really nice. The color is very pretty, the sweep around the shoulder, the braiding, all lovely.

The pouches at the bottom? Um...what was that about? They flopped around weirdly on the runway, they're large and cumbersome, and they don't really serve any purpose besides being large weird things on the bottom of the dress. And we're not going to go into what they remind me of.

But the big thing in the end? Again, what do these dresses have to do with each other? The colors don't match, the designs don't flow together. They're just two different dresses with two different inspirations and I wish that they could have kept everybody on the runway so that the judges could have called them to task for it.

Actually, why didn't the judges call them to task for not making the dresses work together? It was part of the challenge!

Christopher and Logan

Okay, okay. THESE two looks at least look like they belong in the same show, if not "inspired by" or anything. They're similar enough to be of the same aesthetic.

The top half of the model for the surf look is great. But while I realize this is a "surf inspired" look, I can't get over the idea of how much a surfer would probably hate wearing skinny pants like these. They look vastly uncomfortable, and as I pointed out time and time again during Christian's season, skinny pants are not flattering on anybody. They make you look funny, so please women of America and the world, stop wearing them.

No really, even if you're skinny they aren't right. They accentuate the wrong parts of the woman's body, they make her legs look strange, and just generally throw off the entire natural curve and proportion of a woman's body which is, in general, the entire thing most people find attractive about women.

While these aren't as bad as some I've seen, they certainly don't work for me.

I actually quite like the avant guarde look, because it's rather daring and fits the idea. It's on the edge, something that would be a good centerpiece to a collection even if it's not entirely wearable. I also like that it seems to be a very good blend of Christopher and Logan's styles. Actually, I think it's the best avant guarde look of the night because it certainly feels more risky, better made, and more demanding than Ra'mon's.

Qristyl and Epperson

I like the fabric for the casual dress, I like the top (though it's got a little of the same issue that I talked about with Althea. The problem isn't the tiny top so much as it is the long long straps until you get to the top, it makes that part look too long). But the bottom, I don't understand. It's gathered and flows strangely as the model walks down the runway and again, I just don't get it. I don't understand fashion. But I especially don't understand the level of this season's designers. Sure, I might not understand. But usually I'm not so completely baffled by the fall of the hemlines, even on PR. It's a topic that comes up for me several times and episode right now and I don't understand why.

As for the avant guarde...there are no words. Remember last season (was it last season, really? feels like years) when several designers made dresses out of this one particular brown fabric, and it was really hard to work with and looked pretty bad all around, and the two bottom outfits were made of the same fabric?

I think this might be made out of the same stuff.

Okay, I know it's not because I looked back at the old pictures and that brown was much lighter and shinier. But still, this is just...wrong. First, it looks more like a swimsuit than half the things that went down the runway. So, I guess in that sense it fit the challenge to mesh surf and avant guarde? But the bunches of fabric and how haphazard it looks just...what is it? What are they going for? What are they actually SAYING with this garment? Because I have no idea.

I wanted to like Qristyl and root for her, but I think I'm done.

Nicolas and Gordana

For the surf look, while it might not be my personal style, I get it and I like it. The workmanship is pretty amazing, and surprising. Actually, there was a lot of braiding and macrame this week, and I'm curious why. Is it something one of the surfers said? Anyway, it's still really nice, and it's light and open, so very beach-wear. The bottom also is very light and airy, and just feels appropriate for a beach cover-up, though it is a shade long. I'd rather see it show just a little more leg.

As for the other...


Color wise, I can see how the two relate together. In any other way, I don't really quite understand. And the blue lace body stocking...I mean, it even goes over her shoes! What in the world IS it? Who would have created that? Who, in a million years, would think that looks like anything other than trashy? If I cover up the bottom, and assume that the top flows into some sort of matching skirt (though I can't imagine what that could be) then it's not that bad. The collar and the design are interesting, at least a little inventive. But the stockings. I just can't imagine the stockings working anywhere on anyone.

Johnny and Irina

First, thank goodness that Irina was on the top of the runway for once. Girl needs to be given mad praise as soon as possible.

Second, Johnny's model has never looked more beautiful. She looks a bit like Sarah from the show Chuck, somehow. But I like it.

And I like their casual look. It's simple, but it's wearable, it's fun, and while the pockets of the skirt do a bit of an odd thing, in the end I think it might be the best surf look that was out on that runway. It just really looks like something a girl might throw on after surfing to go grab some lunch or a casual dinner.

While I don't see how the designs themselves really fit together, the avant guarde look was tied to it with color, which is more than some did. But I have to admit, I don't like it.

There's something about it that makes it look like the model is being pulled in two directions, like she twisted funny before she walked out on the runway and didn't have time to straighten the dress. The braiding on the top is a little off somehow, it's top heavy, though I can't explain exactly why. Maybe it's to do with the width of the strips or the tightness of the weave.

It just looks a little sloppy, a little half realized. I can't say that I'm a fan.

Mitchell and Ra'mon

I actually really adore this dress. If it had a lining instead of being sheer, and was for a dress challenge instead of a surf challenge, I would spend three paragraphs singing it's praises.

Instead, it's meant to be a surf challenge, and I don't see surf in this really. Sure, it's a bathing suit cover up. But the colors don't say sun and beaches to me. But I do like Ra'mon's story about the algae, so I guess I'll forgive it.

Now, I love the effect of the dye on the neoprene. I love the pattern that it makes, and I'd kind of like a laptop bag made out of the "print." But I can't say I loved the dress itself, especially not as much as the judges did. It's cute, and interesting. If it was the surf inspired part itself then it would be pretty good.

But avant guard? Really? It bunches in weird ways and when the model walks it just moved in an odd and stilted way (largely because it's neoprene and not being used as a formfitting fabric). But I just don't see it in the same positive light the judges did. I don't know who I would have given the win to aside from Ra'mon, because in the end his two looks were the only ones that were BOTH really well done. Not that they fit together in the slightest, but that's beside the point.

That said, the fact that he put it together in thirty minutes or so is really impressive so I won't be so harsh.

All that out of the way, to the drama. Mitchell made a huge mistake but at the same time, it was honorable and honest to not try to make himself out to have done more than he did. BUT, at the same time as that, the fact is that the only reason these came out as well as they did is because he didn't help, and I think we all know it.

I try hard not to be really harsh to these designers, and I realize I'm kind of picking on Mitchell a lot. But I just don't understand it, he seemed to show about the same amount of sewing ability that I have, and I'm really not cut out for PR.

For them to have the "follower" of the team win, and the "leader" lose, that isn't something that's happened before. But aside from Qristyl, I don't see any other way the elimination could have gone. And while they might say that they're only going to take into account the garment in front of them and not all their work, you know that they just finally gave up and said, "You know what, Mitchell isn't going to cut it."

As for the model drama, I have to say I now love the model who cried because she got chosen by her friend's designer (I can't learn any of the models names, I'm sorry models! But I'm barely keeping up with designers and cheftestants right now). But anyway, the emotion she showed for her friend was really heartfelt and it made me want to hug her, and her friend. I don't think she should have gone home anyway, she was very pretty and seemed kind, which I suppose isn't a requirement for a model but it's nice. But at the same time, I'm also glad Valerie didn't go home two challenges in a row, that would have been terrible!

I do like that they're back to their original antics of choosing models each week though. It was funny, one night the models were acting like that was such a new and weird idea and what in the world was happening, but that's the way it was first season and the designers jumped just about as often as they are this season.

I'm surprised at the girl who took the Arby's commercial instead of PR, but if they're still not getting paid for their appearance then I suppose I can't say much. But it seems to me that all other things being equal, PR would be a better way to actually elevate yourself and make yourself better known. It certainly has a larger following than Arby's. She did mention getting into SAG, which I found interesting because I'm pretty sure being in a single commercial won't get you into SAG, otherwise all the actors I've met who are so desperately trying to get in wouldn't be having so much trouble. But I guess I don't know the rules completely.

But then, why is a model trying to get into SAG? Is she really an actress and she started modeling to make more money until she broke into the business? Heck, a lot of full time actors I've known haven't even wanted to be in the guild, but that's a big long story that's far more political than I want to be. Anyway, she confuses me and we'll leave it at that. I liked Valerie (the one name I've learned) so I'm glad she's back.

As for Fatma and the other girl...The middle school called. They want their drama back.

Friday, August 28, 2009

Let's say it one more time: pregnant

So, would a drinking game for this episode be inappropriate? Because otherwise, drink every time somebody says pregnant. If you can afford that much alcohol.

While I enjoyed the challenge and thought it was rather interesting and really a challenge for the designers, was I the only one that thought that the little pillows they tied onto the models didn't even remotely resemble pregnant bellies? I could be wrong, but they seemed off. I always figured that was why those "sympathy bellies" were big things that took up the whole upper body, so it would look and feel more natural. I think with a more natural shape, Ra'mon's outfit wouldn't have been so bad. Bad, yes, but not SO bad.

I actually don't love this dress the way the judges do, even though I quite like the idea of it. My primary problem is that the top really is entirely too small. Not just because it wouldn't cover the woman's chest very well, but because it seems disproportionate. It seems to me like most women who talk about wanting to show off their "pregnancy curves" are talking about their breasts being bigger. And this wouldn't really compliment that very well.

My other problem is that at one point when the model turned around during the judges comments, you could see that the ribbon-y details on the top were ragged and frayed. If this was intentional, I don't like it. If this was unintentional, then I don't see why Althea wasn't called on that when Mitchell was (rightfully) raked over the coals for his bad craftsmanship. Maybe some of the other dresses were similarly ragged if you looked at them very close up, and maybe it as a trick of the angle. But in the end, I'm glad it didn't win, though I don't think it should have been top three either.

But my big reason for thinking it wasn't top three material is the bust. It's just not flattering, and it wouldn't be on a woman with a larger or a smaller chest.

I don't want to, but I kind of like Carol. She's quirky and kind of lovable. I don't love the jacket here, if I'm being honest, but I can see how it would fit somebody else's tastes. I love the color of the dress, and you'd think that it wouldn't work to have that swath of fabric under the belly, but it actually really does.

In the end, it's very cute and fun, and youthful. And there's not a lot of "youthful" going on in the maternity market.

This outfit is really cute, and I absolutely adore the color and fabric of the top. I would wear this if it was tailored just a little differently (for plus-sized girls rather than pregnant ones). This is also one of the few times I would ever actually like this type of hem, the whole "bubble skirt" idea usually turns me off almost instantly. But it works here, and the pleats work, and everything about it is great. I would put it in the top three.

I don't really enjoy this garment very much. The jacket is very bulky and looks uncomfortable and stiff. Then she takes it off and well, jumpsuits don't flatter many women. I have to admit, it's actually a better jumpsuit than any I've ever seen (remember the last jumpsuit of PR history, on Kara? Ugh). In the end, it actually is tailored well and does what it can to flatter the body shape. And that gorgeous cream color, all the fabric is so gorgeous this episode.

But it's still a jumpsuit. I agree with the judges, middle of the road. But it is better than quite a few things that walked the runway that night.

I like the bottom of this, with the layers and he flow. But I just don't like the straps on the halter, they don't look well made, or really well planned. It's like they are supposed to be symmetrical but got messed up.

The jacket is very cute, but I have to say that those leggings would probably not work on anyone that is sporting a real pregnant belly. I certainly don't have any first hand experience, but it seems to me that anything tight on your belly would be uncomfortable.

WHY was this dress not in the top three? This, Christopher, and Shirin should have been the top garments and there's no reason why they weren't. How absolutely and utterly gorgeous is this dress? I want it in every color. Though the beautiful blue fabric she chose is a large part of why it works, I could see it in a nice subtle pink too, or a green, even a purple. It's versatile, it's beautiful, it flows well, it would flatter a million body types, it's fun, it's flirty, it could be a day or evening outfit depending on how you styled it.

In short, it was almost the perfect answer to this challenge, and there was only one I would consider better and even THAT is hard for me to say. I don't understand even a little why Irina was overlooked AGAIN. Almost everyone agrees that her dress last week deserved recognition, if not the win. So why wasn't she praised this time?

There's really not a lot I can say about this dress. It's okay, it's interesting enough. I don't like the flower on the shoulder. But in the end, it's not that remarkable. I hope he's not trying to aim for the middle, because that never works out well.

I have the same thing to say about Logan's outfit. It's not bad. It's a different type of top for maternity (or at least, it seems that way to me). But how utterly boring is it? It's just very drab, and has nothing to make it stand out or be interesting. If it wasn't so early in the season, the judges never would have let this go without a comment.

Also, side note about the Models of the Runway: Fatma's obsession with Logan is just a little odd. Maybe he's the only straight male, I don't know, and I'm sure models get crushes on designers all the time, but she's being a little creepy about it. Or at least, the editing is making her seem that way.


On the one hand, I really love this. It's very cute, it's flirty, it's pretty and it has a lot of consideration for the woman wearing it. I love the color and the fabric, and taking the time to hand dye the lace is very ambitious.

On the other hand, it looks an awful lot like one of my favorite nightgowns. And again, I'm not a fan of the big bunch of fabric/flower on the shoulder. I tend to not like those, because for the most part they're so decorative that they actually are irritating when you really wear them.

I like this, but Christopher and Irina's were better.

As a student in a rather creative major who hangs out with a lot of people in other creative majors, I have to say I know a lot of people like Malvin, who are very much about the concept and following some sort of high minded idea. And often it is to the detriment of the finished product, because it's almost like Michael Kor's said last week, you start to wonder, "Am I not smart enough to get this?" But in the end, you are smart enough, they're just intentionally being a little bit pretentious.

That said, he did have a concept, and he did stick to it, and he did make something that is at least wearable, even if it's not flattering. As the women pointed out, if the woman wearing it had already given birth and was carrying her baby in the sling, then it would actually be considered cute and interesting, I think.

Maybe it should have been in the bottom two, I do agree with that. But Malvin should still be there because at least he has a brain and he's unafraid to use it, take risks, and fail.

I said this last week and I will say it again: Mitchell does not deserve to be on Project Runway. He absolutely should have gone home this week and there is NO excuse for it in the end. The man apparently can't sew, can't handle a time crunch, has no idea what a woman wants, despite his own claims, and made an intensely sloppy and slobby garment that I don't think any pregnant woman would every wear, unless she was basically throwing on the equivalent of a sweatsuit so that she could grab the mail. At least Malvin had some interesting details and his was well made. This is a mess, this is so much of a mess that I wish Michael Kors had been there so he could have had a quotable quip to insult it.

When Heidi said that it looked like she made those shorts, I wanted to yell back "Me too!" Because I could have made this, and it would have looked about like this.

It's ridiculous, and I cannot even fathom why he was allowed to stay after sending this down the runway.

I'm also highly amused that the models feel the same way I do, and while Fatma's anger at being picked by Mitchell was so unprofessional that I doubt she'll stay in the competition long (well, I'd never pick her) at the same time, at least I'm not alone in my bafflement.

Also, how harsh is it that the model said that Mitchell "did the best he could?" Wow, that's so much of a Southern backhanded compliment she should have added "Bless his heart."

There's something about Nicolas' garments that just seem ill-tailored. I don't know what it is, but they don't seem like they quite fit. And they're boring and use a very dark palette for somebody who calls himself the "feather prince." It's just...dull and boring.

I love the color and fabric (again) of this dress, and I think it's very well done. I'm glad Qristyl toned it down a bit and made something classy, here's hoping she keeps on that track. But I hope she doesn't continue to just be happy being safe.

In high school, I was in color guard. If you weren't in it, basically we were the kids (all girls at my school) who spun flags and tossed them in the air during the marching band's halftime show.

I mention this, because Ra'Mon's dress looks like you should put it on a six foot pole and spin it. The swirls, the color patterns, all of it is the exact same type of thing that we would use because the patterns were big and bold, would be seen from the press box, and would create a cool effect when spun in a circle.

That is not the type of thing a person would want to WEAR.

That said, the colors are really great and compliment each other well. And I think that Heidi's observation that it was flattering from the front was spot on.

Actually, most of their comments were spot on. It did look like a bowling bag (though, really, that comment almost hit drinking game proportions too). And it was like having a big arrow pointing and saying "here is the baby."

So in the end, it was worth pointing out to him what went wrong with it, but he rightfully got to stay, since he was trying something new and maybe he didn't achieve it perfectly, but he at least made something serviceable.

Last year, I spent the entire summer and winter trying to find a new winter coat. Mine was rather old, I'd had it for three years and while it was warm and cute, it was also lavender which wasn't really that professional and didn't go with a lot of things.

My point is, I spent MONTHS trying to find the right coat, and it was really annoying because I wanted something cute, warm, and that would go with a lot of things. But something still a little fun and young looking.

I tell you this story because I managed to find a coat, and I love it. One of my favorite things was that when it arrived I found out that the coat I had ordered had this adorable pink lining. Now, I'm not a pink person, but this surprise touch of color made me really love this coat.

Which is why I wholeheartedly and undoubtedly want the coat that Shirin made in this episode. I want two of it, so that when the first wears out I have another in reserve and I don't have to go on another hunt for the perfect coat. The lining, the fit, everything about it was fabulous.

There is no question in my mind that this is the best garment that walked down that runway this week. Or last week. The color is beautiful (again) and I love the detail on the waist. I would wear this in a heartbeat. The dress is lovely, and alone it would have been a contender for the win. But when you add that lovely coat on top of it, it's an absolutely stunning effort. I really want Shirin to make this available to the public. I don't even care that it's maternity.